Georges Rouault / Vieux faubourg Presented by Hedonism.gallery

Georges ROUAULT - Vieux faubourg

Presented by Hedonism.gallery

  • Year
    1947
  • Technical
    Rotogravure
  • Image size
    20,0 x 30,0 cm / 7.9 x 11.8 in
  • Paper size
    37,0 x 47,0 cm / 14.6 x 18.5 in
  • Edition
    2000
  • Price
    On demand
  • Reference
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  • Visit(s)
    326
  • Condition
Georges ROUAULT - Vieux faubourg

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Original Heliogravure by Georges Rouault "Vieux faubourg" for "Stella Vespertina" portfolio (1947)


This original heliogravure by Georges Rouault, titled "Vieux Faubourg" (1947), is a stunning piece of art. The print is a beautiful representation of Rouault's unique style, with its bold colors and intricate details. The print is a perfect addition to any art collection, and is sure to be admired for years to come.

This piece is a limited edition, and is printed on high-quality paper. It is a great way to add a touch of elegance to any room. The print is also a great conversation starter, and is sure to be a talking point for any art enthusiast.

This print is a must-have for any art lover, and is sure to be a treasured piece for years to come. With its bold colors and intricate details, it is sure to be admired for generations. Get your hands on this stunning piece of art today!



Date: 1947
Edition of 2000 on Marais paper
Signed by Rouault in the plate (not by hand)
Medium: Original Heliogravure, unframed
Size: 19 1/2 x 15 1/4 in. (47 x 37 cm)
The image measures 9 1/4 x 11 1/2 inches (20 x 30cm)
Printer: Draeger Freres, Paris
Publisher: Rene Drouin, Paris
Good condition, The image has been tipped (lightly mounted) by the publisher onto a larger support sheet of gray vellum paper.

Rouault “achieved striking effects in his prints by unothodox means, mixing techniques and tools and sometimes working by hand a plate onto which his original gouache sketch had been photographed” (Artist and the Book, 179). His Stella Vespertina is one of the great personal views on the subject of artistic intention. In it Rouault reflects that “the conscience of an artist worthy of the name is like an incurable disease which causes him endless torment but occasionally fills him with silent joy.”

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