Galería Louise Leiris
Taller Patrick Crommelynck
Papel Richard de Bas
Firmado en Filigrana en aguada : La Celestina
The etchings done for La Célestine are part of the famous 347 Series. Between March 16 and October 5, 1968, Picasso worked on the plates almost daily, using various techniques and sometimes the same plate.
Picasso did not want the text to be printed on the verso of the leaves with etchings - hence the arrangement of the pages is unusual: uncut double leaves with one etching and one page of text alternate with single leaves with two text pages. Patrick Cramer, Pablo Picasso The Illustrated Books, 1983, p. 360.
