Archival pigment inks on Crane Museo Max 365 gsm fine art paper.
Handsigned and numbered.
In this new series he portrays the New York dancer Laura. In contrast to his earlier series of dancers, here he focuses exclusively on her face and expression as she dances. Only the hint of her shoulders and neck, stretched or turned to the side, give an idea of the movement of her body. The pose of his characters is frozen in a moment of silence, which is part of a continuous movement beyond the canvas. Their spread fingers tell us something about their profession, but the strongest impression is the artificiality with which the painter depicts the act of dance.